What happened to Kimi Katkar?
The Legend of the Bollywood Jane..!!
For all those (the dumb ones who did not watch what happened right after the song )who are still wondering whether Jumma DID give her Chumma (Kiss) to Tiger, the answer is Yes,she DID. Tiger (Big B’s name in Mukul Anand’s HUM) survived with minimum injuries and a face loaded with prints of the red lips (those were the days without the non-transferring Maybelline). And for all those dumb ones who are not aware of the entire set up of how Tiger becomes such a confident and demanding male ( as the words say -Jumma Chumma De De), the answer lies in the scene before the song (Bollywood has never believed in desynchronisation of plot points. Are you listening Christoper ‘Memento’ Nolan? ). Miss Jumma challenges Tiger to collect his hafta ( in the form of a coin) which has been rested in between her..you know where! Okay, her b@@bies. (Now c’mon if they can show it, I can well fucking write it down.) And what was at stake? Jumma would give Chumma (kiss) to Tiger on the day of Jumma. (Please do take note of the intelligence of the moviemaker in the choice of words and rhymes. ) Tiger lifts Jumma, makes her legs go up and face almost touching the ground and starts shaking well. The end result is that due to the vibratory motion and the gravitational force, the coin was attracted towards the centre of the earth. Hence,proved! And Tiger gets his share of Chummas. Mystery solved. But keeping aside the entire Jumma Chumma De De incident, I am still searching for answers to the question posted in the title: What happened to the legend of the Bollywood Jane-Kimi Katkar? Read the rest of this post »
Tags: bollywood·humor·movies·pop culture·recap·what happened 2
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Reading Lee Sargent’s QuitYourDayJob blog on Friday the 13th (
First things first. HDTV presents??? How the hell is HDTV expanded into High Definition Motion Pictures? Ok, settle down Sujoy. We are here to witness 


After watching the movie ‘
I was literally dragged to the premiere of Arjun Chakraborty’s “Tollylights” in Kolkata. I didn’t have any clue that the premiere event was going to be thronged by women in inch deep make-up, the who’s who of Kolkata’s P3 circle and yeah, renowned lyricist and filmmaker Gulzar and ex-capitano Saurav Ganguly were also there. I was already pissed at the affairs getting late, and well, I felt sorry for Mr.Gulzar that he had to sit through the entire movie,(coz he was there to support his ex-Asst Dir. Arjun, the guy in the left in the trackies , yeah he’s the director in case you didn’t know) and well, so was I also forced to sit through it. I entered the screening room and from scene 1, I knew this was in some way going to be hilarious (even if it wasn’t mean to be). The reels begin to roll, and “Aashun Rongeen Prithibi te” starts screaming out from the surround speakers. Someone please tell the projectionist that me ears are bleeding. I wish I hadn’t thrown away my cotton reels. The intro track shows the journey of Tollywood from where it all began to what shit it is now. The track is replete with formulas of Bangla rock-the distorted guitars,the annoying cheap drum cymbals crashing with the bass sounds, and the irritating backing vocals and even more annoying lead vocals who wants to end every line with a fade out echo. Ugh!! Scene 1: Mithun da enters. Mithunda begins by saying something which sounded similar to :- Aaami Gay ( I am Gay). Actually he said Aaami Ke? (Who am I?) And the laughter riot didnt stop for me.
Forget the FM channels. The magnetic audio tapes, with the wait time for rewinds are the thing when it comes to music for our buddy Auto-Drivers. And when you ask them why not FM, they say “Fuck the Big Red Mirchi”. That’s actually how you abuse three channels at one go. Of course, it’s not in English that they tell me so, and well, it’s just a figment of my imagination. Anyway, Auto-Rickshaw music is BIG in a country where Himmessh actually sells audio cassettes more than CDs. In a world where digital music (okay CDs you may call it) to us is primarily MP3, music in daily life is predominantly high on the tone equalizer, and resonating from the Big black soundbox in the backseat of an Auto-Rickshaw. And what is the possibility of you being subjected to listen to a Himmessh, (yeah the man’s creation, as in a Picasso, or a Vinci, or a Sujoy, whatever)-probably 99.999%. I shall confirm the numbers very soon. But quality is not at all governed by the sheer number of playtime, is it? So here I am, preparing a whole Top 10 list of the Favorite Songs of the Auto-Rickshaws. The criteria for judgment: my ears, my senses and my reasons, perhaps movie background scores at times, and well a little SPICE.









